Josiah Wedgwood - translation to γαλλικά
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Josiah Wedgwood - translation to γαλλικά

ENGLISH POTTER AND FOUNDER OF THE WEDGWOOD COMPANY (1730–1795)
Josiah Wedgewood; Josiah Wedgwood I
  • [[William Hackwood]]. [[Wedgwood anti-slavery medallion]], after 1786. [[Brooklyn Museum]]
  • Wedgwood tea and coffee service, 1765, on display at the [[Victoria and Albert Museum]], London. Wedgwood's [[creamware]] was hugely popular, as a cheaper equivalent of [[porcelain]].
  • His paper to the Royal Society on the development of the pyrometric device
  • [[Etruria Hall]], the family home, built 1768–1771 by [[Joseph Pickford]]. It was restored as part of the 1986 [[Stoke-on-Trent Garden Festival]] and is now part of a four-star hotel.
  • ''Horse Frightened by a Lion'' [[Jasperware]] by Wedgwood and Thomas Bentley, after [[George Stubbs]], 1780.
  • The [[Wedgwood anti-slavery medallion]] created as part of [[anti-slavery]] campaign by Wedgwood, 1787
  • Wedgwood, 1774, [[creamware]]. Plate from the [[Frog Service]] for Catherine II of Russia, [[Brooklyn Museum]], New York
  • Portland Vase Copy-Wedgwood (circa 1789)
  • 
Portrait of Wedgwood
  • Teapot, Wedgwood 'caneware', c. 1780–1785. [[Nelson-Atkins Museum of Art]], Missouri.
  • Vase on stand with inverted Neck, Josiah Wedgwood and Sons and Thomas Bentley, before 1780, black basalt. [[Chazen Museum of Art]], [[Madison, Wisconsin]].

Josiah Wedgwood         
Josiah Wedgwood (1730-1795), English potter who enhanced the materials and processes of pottery

Ορισμός

Wedgwood ware
·- A kind of fine pottery, the most remarkable being what is called jasper, either white, or colored throughout the body, and capable of being molded into the most delicate forms, so that fine and minute bas-reliefs like cameos were made of it, fit even for being set as jewels.

Βικιπαίδεια

Josiah Wedgwood

Josiah Wedgwood (12 July 1730 – 3 January 1795) was an English potter, entrepreneur and abolitionist. Founding the Wedgwood company in 1759, he developed improved pottery bodies by systematic experimentation, and was the leader in the industrialisation of the manufacture of European pottery.

The renewed classical enthusiasms of the late 1760s and early 1770s were of major importance to his sales promotion. His expensive goods were in much demand from the upper classes, while he used emulation effects to market cheaper sets to the rest of society. Every new invention that Wedgwood produced – green glaze, creamware, black basalt, and jasperware – was quickly copied. Having once achieved efficiency in production, he obtained efficiencies in sales and distribution. His showrooms in London gave the public the chance to see his complete range of tableware.

Wedgwood's company never made porcelain during his lifetime, but specialised in fine earthenwares and stonewares that had many of the same qualities, but were considerably cheaper. He made great efforts to keep the designs of his wares in tune with current fashion. He was an early adopter of transfer printing which gave similar effects to hand-painting for a far lower cost. Meeting the demands of the consumer revolution that helped drive the Industrial Revolution in Britain, Wedgwood is credited as a pioneer of modern marketing. He pioneered direct mail, money back guarantees, self-service, free delivery, buy one get one free, and illustrated catalogues.

A prominent abolitionist fighting slavery, Wedgwood is remembered too for his Am I Not a Man And a Brother? anti-slavery medallion. He was a member of the Darwin–Wedgwood family, and he was the grandfather of Charles and Emma Darwin.